But there are many differences, and these must be given consideration. Her courage is apparent in her refusal to search for the missing handkerchief in Act III, scene iv; in her willingness to shout back at Othello as he abuses her in Act IV, scene i; and in her insistence upon her innocence in Act V, scene ii.
The meeting of the two search parties, each seeking Othello for a different reason, brings the relations of Othello and Desdemona into prominence. When she gives it, she is the only female character onstage, surrounded by powerful men who include the duke, her husband, and her father, but she is not ashamed to assert her belief in the validity of her desires and actions.
The lovely Jewess, Jessica, ran away from the miserly Shylock to marry the Christian, Lorenzo, and at the same time accepted the religion of her husband.
For romance disguises certain facts, or sees them, as it were, through a luminous mist. His color, they say, is an entirely indifferent matter in the play, and can be all but ignored in the interpretation.
Portia's brilliancy much later on in the play shall not come as a surprise to the audience, most particularly when the devious Shylock gets outsmarted by her. The story of "the battle, sieges, fortune" he had passed is almost as potent with the senators as it had been with Desdemona, who, he says, "lov'd me for the dangers I had passed, And I lov'd her, that she did pity them.
We see how Iago tortures Othello to make him go from a happy person who was happy to see his wife once he got back from Cyprus, to the person where he questions himself to why he married Desdemona in the first place. But, between Othello and Desdemona, on the other hand, a most distressing conflict arose that almost completely overshadowed the original conflict and ended only in the greatest catastrophe of the drama.
It has not generally been observed that Shakespeare makes more of this racial difference than did Cinthio, the Italian original.
He also tells Othello: Brabantio and his troop serve to bring out the private side of Othellos character, hither-to unsuspected. But this is only another instance of that fanciful criticism that makes a new Shakespeare, and yet thinks it is interpreting the old.
The exposition of these two elements of the play is set forth by the dramatist with his usual clearness, and at considerable length, but has nevertheless escaped the notice of the critics, or has been discounted as a factor in the interpretation.
His color is recognized as a natural barrier that makes him a very unwelcome suitor. Later, she insults Othello: These words let us see where Desdemona got her wilfulness, and relieve us of the necessity of grieving much over the sorrows of her father in this most unfortunate marriage. The main character in the story is Othello.
Marriage makes a demand for absolute equality between the parties, and is likely to prove fatal in those cases where apologies and excuses are necessary. In the end, Othello stifles the speech that made Desdemona so powerful. Tragically, Desdemona is apparently aware of her imminent death.
She, not Othello, asks Emilia to put her wedding sheets on the bed, and she asks Emilia to bury her in these sheets should she die first. The play begins with Iago revealing his hatred for Othello for selecting Cassio as his Lieutenant, and the first glimpse of his evil gift is revealed in Act 1 as he plays on Brabantio’s, Desdemona’s father, view of interracial marriages by stating, “Even now, now, very now, an old black ram / Is topping your white ewe.
Desdemona is a beautiful, young, white, Venetian debutante. And she's a total Daddy's girl until she falls head over heels in love with Othello. Othello Portia and Desdemona. Othello, Portia and DesdemonaIntroductionThey say art lives forever, while some say that nothing lasts forever, but nothing is as timeless in literature as the works of one William Shakespeare and his play, A midsummer Nights Dream.
- Iago in Othello In William Shakespeare’s tragic drama Othello we see a morally depraved character, perhaps a very mentally sick individual, named Iago.
His personality and development during the play is the subject of this essay. Apr 11, · Othello and Desdemona are intertwined in the play, and the tragic fall of Othello could not occur without Desdemona's ultimate betrayal.
Othello The major character of Othello in the play "Othello" is a tragic hero who allows himself to be manipulated by those around him, especially Iago and Desdemona.Othello portia and desdemona _1 essay